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Betreute BA-Arbeiten

  • The Queen of Crime: Agatha Christie's Women and Detective Fiction
  • Gender and Space in Virginia Woolf's Orlando in Comparison to Jeanette Winterson's Written on the Body
  • The Politics of Affection and Indifference: The Representation of (Gendered) Power Dynamics in Sally Rooney's Short Fiction
  • 19th Century Female Poets in Dialogue with Shakespeare: Elizabeth Barrett Browning, George Eliot, Emily Dickinson
  • Depiction of Class in H.G. Wells' Work: Contrasting The Time Machine and Men Like Gods
  • An Analysis of Bourdieu ́s Social Field in China Miéville ́s Perdido Street Station
  • Split Identity in R.L. Stevenson'ʼʼs Strange Case of Dr. Jekyll and Mr. Hyde and E. Brontë'ʼs Wuthering Heights
  • Pathways to Paralysis: Trauma Theory and James Joyce’s Dubliners
  • The Threat of the Domestic Sphere in Modern and Contemporary British Spy Fiction
  • "Reasserting her Strength in the Unlikeliest of Places" - An Analysis of Female Characters in Keats, Browning and Rossetti
  • Making the Personal Political: A Lefebvrian Reading of Fictional Space in Zadie Smith's On Beauty and NW
  • The Rise and Fall of the Scientific Narrative - Nii Parkes' Postcolonial Take on Detective Fiction
  • Feminist Readings of Christina Rossetti's "Goblin Market" and Robert Browning's "Porphyria's Lover" and "My Last Duchess"
  • Swiss Landscape and its Function in 19th Century Fiction: Arthur Conan Doyle's "The Final Problem", Mary Shelley's Frankenstein and Henry James' Daisy Miller
  • Madness in Mary Shelley’s Frankenstein and Samuel Taylor Coleridge’s "The Rime of the Ancient Mariner"
  • Breaking Boundaries – Mary Wollstonecraft and her Vindications
  • Concepts of Space in James Joyce’s Dubliners
  • “I am a Tabula Rasa”: Androgyny in Virginia Woolf’s Orlando, Angela Carter’s The Passion of New Eve, and Jeanette Winterson’s Written on the Body
  • Thicker than Water: Examining Family Identity in Ian McEwan’s The Cement Garden and Colm Toibin’s “A Long Winter”
  • Daughters of Ireland: Departure and Return in Claire Keegan's Foster, Colm Tóibín's Brooklyn and John McGahern's Amongst Women
  • Systems, Ideology and History in Ian McEwan's Sweet Tooth, The Innocent and Black Dogs
  • Old Age and Degeneration in Oscar Wilde's The Picture of Dorian Gray
  • The Victorian Governess in Jane Eyre and Agnes Grey 
  • War and the Pity of War: Memory and Trauma of the Great War in Wilfred Owen’s and Vera Brittain’s Poems
  • Out of the Wasteland: Virginia Woolf and the Great War
  • More than flower beds, raindrops and snails: Ecocritical Readings of Virginia Woolf’s Fiction
  • “Wandering with the anchor lifted”: Heterotopias in Colm Toibin’s Nora Webster and Brooklyn
  • Displays of Iris Murdoch’s Moral and Aesthetic Philosophy in The Fire and the Sun and The Sea, The Sea
  • Concepts of Space in Dickens’ Oliver Twist
  • Place in Michael Longley’s and Derek Mahon’s Poetry
  • “I want you and you are not there”: Exploring Female Desire in Dickinson, Duffy and Rossetti
  • Social Class in Emily Brontë’s Wuthering Heights
  • George Orwell’s Burmese Days in the Light of Orientalism
  • The Well of Paying Guests: Lesbian Introspection in Hall’s The Well of Loneliness and Waters’ The Paying Guests
  • Lust und Liebe in lesbischer Lyrik – Carol Ann Duffy und Adrienne Rich im Vergleich
  • Gender, Identity and Nation in Eavan Boland’s and Seamus Heaney’s Poetry
  • A Comparison of Jane Eyre and Rebecca: Gothic Elements, Religious Symbolism and Female Independence
  • Violence in the Poetry of Seamus Heaney and Michael Longley
  • The Relationship between Family and Nature in Seamus Heaney’s Poetry
  • Die viktorianische Männlichkeit – Analyse und Vergleich der Darstellung in Jane Eyre und The Tenant of Wildfell Hall unter Berücksichtigung der biografischen Erfahrungen der Autorinnen
  • Women Working in the Victorian Age and the Lack of Work: An Analysis of Jane Eyre, Wuthering Heights and North and South
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